Τετάρτη 31 Δεκεμβρίου 2008
FRANK ZAPPA - 1976 Zoot Allures
Tracks:
1.Wind Up Workin' in a Gas Station ... Frank Zappa Frank Zappa (2:29) -2.Black Napkins [Live] ... Frank Zappa Frank Zappa (4:15) -3.The Torture Never Stops ... Frank Zappa Frank Zappa (9:45) - 4.Ms. Pinky ... Frank Zappa Frank Zappa (3:40) - 5.Find Her Finer ... Frank Zappa Frank Zappa (4:07) -6.Friendly Little Finger ... Frank Zappa Frank Zappa (4:17) - 7.Wonderful Wino ... Jeff Simmons, Frank Zappa Frank Zappa (3:38) -8.Zoot Allures ... Frank Zappa Frank Zappa (4:12) - 9.Disco Boy ... Frank Zappa Frank Zappa (5:11) -
FRANK ZAPPA - 1972 Waka Jawaka
Tracklisting:
Σάββατο 27 Δεκεμβρίου 2008
GARY MOORE / G - FORCE - Selftitled
GARY MOORE'S G-FORCE
When Garry Moore asked to tour America in support of Van Halen, he recruited vocalist Tony Newton, bassist Willie Dee, and drummer Mark Nauseef (ex-Ian Gillan Band and Elf) to embark on said tour — not as Gary Moore — but as an entirely new band named G Force. The tour was a success in so far as the group subsequently completed an entire album consisting of hard rock songs but they would fall apart as soon as Gary was invited to join former ELP man Greg Lake's band, after which he once again resumed his solo career. The album is POWER !! "You","Dancing","White Knuckles".
Tracks :
1.You .... (4:11) - 2.White Knuckles/Rockin' and Rollin'....(5:10) -3.She's Got You .... (4:53) - 4.I Look at You .... (6:02) - 5.Because of Your Love .... (4:00) -6.You Kissed Me Sweetly .... (4:16) -7.Hot Gossip ....(3:34) -8.The Woman's in Love.... (3:53) - 9Dancin' .... (4:30)
Line up:
Gary Moore guitar,vocals,keyboards -
Joachim Kuhn keyboards -
Tom Scott saxophone -
Mark Nauseef synth,percussion,drums,electr.drums -
Willie Dee bass,korg synth,vocals,synth. bass -
Tony Newton bass -
PLAY IT OUTLOUD!!
Link:GM
DIRE STRAITS /ERIC CLAPTON - Solid Rock
A Live Rendez -vous in New York on November 1988 with ERIC "SLOWHAND" CLAPTON and DIRE STRAITS..
Link : SR
Παρασκευή 26 Δεκεμβρίου 2008
ERIC BURDON / JIMMY WITHERSPOON - 1976 Black & White Blues
Eric Burdon: Vocals - Jimmy Witherspoon: Vocals -Bob Mercereau, Lee Oskar : Harmonica -Papa Dee Allen : Congas - Harold Brown, George Suranovich: Drums - Charles Miller : Tenor Saxophone -Howard Scott, John Sterling : Guitar - Lonnie Jordan, Terry Ryan : Piano, Organ - B.B. Dickerson, Kim Kesterson : bass -
…and on location with the Far Out Remote Unit - San Quentin Prison Band (featuring Ike White on guitar)
Track Listing
Side 1
1.I've Been Drifting/Once upon a Time - 2.Steamroller - 3.The Laws Must Change - 4.Have Mercy Judge - 5.Going Down Slow
Side 2
6.Soledad - 7.Home Dream -8.Headin' for Home -9.The Time Has Come
BELOVED ERIC!!
WEATHER REPORT - 1976 BLACK MARKET
Link:BM
Πέμπτη 25 Δεκεμβρίου 2008
BILLY COBHAM - Total Eclipse
MASTERPIECE.
Sun/Voyage/Solarization-Recapitulation (11:10) -2. Lunarputians (2:33) -3. Total Eclipse (5:59) -4. Bandits (2:30) - 5. Moon Germs (4:54) - 6. The Moon Ain't Made Of Green Cheese (0:58) - 7. Sea Of Tranquility (10:44) -8. Last Frontier (5:22)
Total Time: 44:10
BILLY COBHAM - 1973 Spectrum
A few words for Billy Cobham:
Generally acclaimed as fusion's greatest drummer William C. Cobham was born May 16, 1944, in Panama, where as a very young child he became fascinated with the percussion instruments his cousins played.He worked with Miles Davis,John MacLaughlin,George Benson,Stanley Turrentine,Freddie Hubbard,Grover Washington jr.With ex-Mahavishnu Jan Hummer formed his band SPECTRUM and his debut was the selftitled album in 1973 with Tommy Bolin and John Scofield.Later he played with Grateful Dead,Jack Bruce,Peter Gabriel and then formed a quartet called Glass Menagerie and then Paradox and then Nordic and finally i believe Jazz is dead.
Tracks:
1. Quadrant 4 Cobham 4:20 - 2. Searching for the Right Door/Spectrum Cobham 6:33 - 3. Anxiety/Taurian Matador Cobham 4:44 - 4. Stratus Cobham 9:50 - 5. To the Women in My Life/Le Lis Cobham 4:11 - 6. Snoopy's Search/Red Baron Cobham
Line Up:
Jan Hummer - keyboards // Tommy Bolin - guitar // Lee Sklar - bass // Joe Farrell - flute // Jimmy Owens - trumpet // John Tropea - guitar // Ron Carter - bass // Ray Barretto - congas
Amazing album !!
Link: Spectrum
THE KINGSMEN - The Very Best
A few words:
A rock & roll band from Portland, Oregon, the Kingsmen's one big hit "Louie, Louie" defined the garage-band style and became one of the all-time classics. The original lineup included Jack Ely (lead singer and guitar), Lynn Easton (drums), Mike Mitchell (lead guitar), Bob Nordby (bass), and Don Galucci (piano). After Ely had "incorrectly" taught the rest of the band the Wailers version of Richard Berry's "Louie Louie" (thus altering the basic rhythm into the now famous duh-duh-duh, duh-duh, duh-duh-duh, duh-duh riff that has become the only way anyone has played it since), they recorded it for fifty dollars at a primitive local recording studio with only three mikes, Ely hollering the lyrics into an overhead boom mike suspended ten feet in the air. Released on a local label, the record went nowhere after Paul Revere & the Raiders quickly covered it in the Northwest market, although it had quickly become a standard for all teen bands in that area. In 1964, the record started to break nationally, causing the breakup of the original lineup when Easton copyrighted the group's name, informing the other members that he was now sole owner of the Kingsmen and its new lead singer. Ely formed his own Kingsmen, touring at the same time as Easton, who was lip-synching the record whenever possible. Only Easton and Mitchell were left from the original lineup, but they kept scoring big with frat-band versions of "Money" and "Little Latin Lupe Lu," reaching their peak with "The Jolly Green Giant," while Ely languished in relative obscurity and Gallucci formed Don & the Goodtimes.
Courtesy taken from Allmusic.com
Original Line up :
Don Gallucci - piano - Lynn Easton - drums - Jack Ely - lead singer - Bob Nordby - bass - Mike Mitchell - lead guitar
Link:TVB
THE E - TYPES - Introducing
There are twenty-two tracks, including both sides of their four singles and previously unissued demos, outtakes, and live performances. The four singles are legimitately fine finds if you collect obscure '60s pop-garage. "Long Before," "I Can't Do It," and "Put the Clock Back on the Wall" are outstanding, and the cover of Lennon-McCartney's "Love of the loved" (which the Beatles never officially released themselves) rates as one of the best unknown Beatle covers of the '60s. Most of the rest of this archival compilation is padding, though, consisting largely of faithful British Invasion covers and some outtakes that are markedly inferior to their singles. It's an enjoyable listen for collectors of mid-'60s rock, boasting considerably more pop-oriented material and accomplished production than the garage norm. But it couldn't be considered in the top drawer of this sort of thing.
Τετάρτη 24 Δεκεμβρίου 2008
THE 13th FLOOR ELEVATORS - Paradise Found
A period with historic groups playing around, like,QSMS,GREAT SOCIETY,BIRDS.
Link:
THE CHARLIE DANIELS BAND - Saddle Tramp
Link :
Κυριακή 21 Δεκεμβρίου 2008
THE BOBBY FOULLER FOUR - I Fought The Law
A few Words :
With his Stratocaster guitar and brash, full sound, at his best ,Fuller sounded like Buddy Holly into the '60s. Cracking the Top 30 in 1966 with a cover of Holly's "Love's Made a Fool of You" and the Top Ten with "I Fought the law" (written by one-time Cricket Sonny Curtis), Fuller had just become a star when he was found dead under mysterious circumstances in a parked car in Hollywood (the police thought it was a suicide, just about everyone who knew him disagreed).
Fuller's relatively short period of national stardom actually crowned a good half-dozen years of recording, during which he released many outstanding tracks.A talented and prolific songwriter and a studio whiz who drew from Eddie Cochran and (though only slightly) the full guitar sound of the British Invasion as well as Buddy Holly, he recorded a great deal of unreleased studio and live material that was issued in the '80s, when the depth of his loss began to be appreciated.
BOBBY FULLER FOUR / I FOUGHT THE LAW
Tracks:
1.You kissed me - 2.Little Annie Lou -3.I fought the Law -4.Another sad and lonely night -5.Saturday night -6.Take my word -7.Fool for love -8.Never to be forgotten -9.Thunder reef -10.Wolfman -11.Let her dance -12.Julie -13.A new shade of blue -14.Only when i dream
Group Members:
Bobby Fuller
Randy Fuller
DeWayne Quirico
James Reese
Dalton Powell
Irony.. HE FOUGHT THE LAW - but the law won..
Link:IFTL
COPPERHEAD - 1973 Lonesome Trails
Σάββατο 20 Δεκεμβρίου 2008
GOV"T MULE - The Best Of The Capricorn Years
GOV'T MULE
OK, if you have some time to hear Raw Southern Rock ,then, this album of Gov't Mule is what you want. TAKE IT..
RECOMMENDED!
Link:BOCYcd1
Link:BOCYcd2
MICK RONSON - 1974 Slaughter On 10th Avenue
and fall of Ziggy Stardust" then,you don't have to wonder anymore.Ladies and
Gentlemen MICK RONSON.
called "Hunter Ronson Band".Soon, he found himself a member of " Bob Dylan's Rolling Thunder Revue" a side project typical of Dylan and even more typical of the time.
Tracks:
Performer.
Σάββατο 13 Δεκεμβρίου 2008
TAB BENOIT - 2007 Power Of The Pontchartrain
01. Don't Make No Sense0 -2. Good to Ya, Baby - 03. Shelter Me - 04. Power of the Pontchartrain - 05. For What It's Worth - 06. Midnight and Lonesome - 07. Sac-Au-Lait Fishing - 08. Somebody's Got to Go - 09. I'm Guilty of Lovin' You - 10. Addicted - 11. One Foot in the Bayou -
BLACK OAK ARKANSAS - 1975 X Rated
Southern rock veterans Black Oak Arkansas never quite achieved the level of success enjoyed by contemporaries like Lynyrd Skynyrd and the Allman Brothers, but have remained a cult band thanks to their raw, primitive energy and the testosterone-fueled antics of lead vocalist/showman James "Big Jim Dandy" Mangrum.
Named for Mangrum's hometown, Black Oak Arkansas eventually built up a solid following through incessant touring and enjoyed a run of ten charting albums between 1971 and 1976Black Oak Arkansas dates back to the mid-'60s, when a group of young, long-haired misfits headed by Jim Mangrum, unable to find work, turned to rock & roll.
However, the group was unable to purchase equipment and ended up being arrested for grand larceny after stealing items from the local school in order to get money. They were nearly run out of town and went to live in the nearby hills, locating and borrowing equipment where they could. The band moved to New Orleans in 1969 and called itself Knowbody Else, with a lineup of vocalist Mangrum; guitarists Ricky "Ricochet" Reynolds, Stanley "Goober" Knight, and Harvey "Burley" Jett; bassist Pat Daugherty; and drummer Wayne Evans. Knowbody Else recorded a self-titled album for Stax, which went nowhere; rethinking their approach, the band became interested in psychedelia and Eastern spirituality, which they filtered through their Southern Baptist upbringing. Changing their name to Black Oak Arkansas, the band secured a deal with Atlantic after several trips to Los Angeles and released its self-titled debut in 1971. While it wasn't a hit, the band toured extensively, building a reputation as a raw, incendiary live act that made up for occasional musical deficiencies with energy and the explicit sexuality of Mangrum, who flaunted his body at every opportunity and became known for such antics as miming sex with the washboard he used for musical accompaniment.
X RATED 1975
Tracks:
SIDE ONE
Bump 'n' Grind () Fightin' Cock () Highway Pirate () Strong Enough to be Gentle ()
SIDE TWO
Flesh Needs Flesh () Wild Men from the Mountains () High Flyer () Ace in the Hole () Too Hot to Stop ()
In this album you will find the very rare ! hit single"Strong Enough To be Gentle"
Enjoy it!!
Link :XRATED
MARK KNOPFLER - 2000 Sailing To Philadelphia
Working with a two-guitars, two-keyboards, bass and drums band (like Dire Straits), Knopfler brings in a variety of sympathetic guests, notably James Taylor, Van Morrison, and Squeeze leaders Glenn Tilbrook and Chris Difford. These guest stars provide pleasant contrast to Knopfler's modest vocal talents, but they never steal the spotlight from the leader
All songs written by Mark Knopfler.
2."Sailing to Philadelphia" – 5:29
3."Who's Your Baby Now" – 3:05
4."Baloney Again" – 5:09
5."The Last Laugh" – 3:22
6."Do America" – 4:11
7."Silvertown Blues" – 5:32
8."El Macho" – 5:29
9."Prairie Wedding" – 4:26
10."Wanderlust" – 3:52
11."Speedway at Nazareth" – 6:23
12."Junkie Doll" – 4:34
13."Sands of Nevada" – 5:29 "One More Matinee" – 3:57
10 CC - 1974 Sheet Music
Deriving their name from the metric total of semen ejaculated by the average male, the tongue-in-cheek British art-pop band 10cc comprised an all-star roster of Manchester-based musicians: vocalist/guitarist Graham Gouldman was a former member of the Mockingbirds and the author of hits for the Yardbirds, the Hollies, Herman's Hermits and Jeff Beck; singer/guitarist Eric Stewart was an alum of Wayne Fontana & the Mindbenders; and vocalists/multi-instrumentalists Kevin Godley and Lol Creme were both highly regarded studio players. Formed in 1970, 10cc began as a session unit dubbed Hotlegs; after establishing residence at Stewart's Strawberry Studios, Hotlegs scored a surprise U.K. smash with the single "Neanderthal Man," subsequently issuing an LP, Thinks: School Times and touring with the Moody Blues.
ARTHUR BROWN - The Crazy World Of...
ARTHUR BROWN / VINCENT CRANE -Faster Than The Speed Of Light-
Vincent Crane (21 May 1943 – 14 February 1989) was a self-taught pianist, who studied theory and composition at Trinity College of Music. He graduated in 1964.
[edit] CareerBorn Vincent Rodney Cheesman in Reading, Berkshire, he was influenced by Graham Bond, and in 1967 teamed up with Arthur Brown and formed The Crazy World Of Arthur Brown.
Their self-titled album (1968) contained the song "Fire", a chart-topping hit single in the United Kingdom, Canada, and the United States.
The Crazy World Of Arthur Brown dissolved on tour in the U.S., with Crane and drummer Carl Palmer (later of ELP) leaving the band to form Atomic Rooster in 1969. They enjoyed success in 1971 with two hit singles, "Tomorrow Night", and "Devil's Answer".
Crane was plagued by a manic depression, forcing him to be treated inside and outside hospitals numerous times. Crane is associated with the Hammond Organ which was central to The Crazy World of Arthur Brown album, and Atomic Rooster's music.
He collaborated with other musicians on a number of albums, including Rory Gallagher (Rory Gallagher, 1971), Arthur Brown (Faster Than The Speed Of Light, 1979), Peter Green, Richard Wahnfried and Dexys Midnight Runners (Don't Stand Me Down, 1985). In 1983 he was part of the one-off blues outfit, Katmandu, with Ray Dorset and Green, who recorded the album A Case For The Blues.
Crane died of an overdose of painkillers after a long fight against manic depression in 1989, at the age of 45.Excerts courtesy taken from Wikipedia.
For Collectors only..
Link:FTTSOL
Παρασκευή 12 Δεκεμβρίου 2008
ALAN WHITE - 1976 Ramshackled
Τετάρτη 10 Δεκεμβρίου 2008
POPOL VUH - 1972 In Der Garten Pharaos
Their second album, "In Den Garten Pharaos", fuses ambient electronic textures with traditional, ethnic instruments, but put the stress on spiritual themes. In the grand tradition of many Krautrock greats of the era, this album consists of only two side-length cuts.
"In Den Garten Pharaos" is a stunning moogish beauty that creates an utterly hypnotic atmosphere enhanced by pseudo-african drumming which strikes us with a feeling of terror. As the seventh minute of the first track begins all evil starts to speak with one voice. Beware of lurking shadows in your "castle". Night is the rightest time to play it loud. So switch off the light and dream of pharaos' gardens...
"Vuh" is a huge and massive wall of organ sounds played in a passionate mood, so magnificent in tune that you cannot compare it with anything else in the world. The ground-breaking sound like a thunderous God-influenced preacher's voice rolls over you making you feel like a little worm, totally and wholly out of help. What strikes most is a constant stream of church organs vibrating strongly for twenty minutes with no regret as if they were trying to bring down all the sinners of this world on their knees.
HAVE A NICE TRIP...
ROLLING STONES - COCKSUCKER BLUES 1973 -
There was much anticipation for the band's arrival, with them having not visited the United States since the 1969 disaster at Altamont Free Concert, in which a fan, Meredith Hunter, was stabbed and beaten to death by Hells Angels. The tour fulfilled its promise of tremendous rock and roll performances on stage. Behind the scenes, the tour embodied debauchery, lewdness and hedonism.
The film was shot cinéma vérité, with several cameras with plenty of film left lying around for anyone in the entourage to pick up and start shooting. This allowed the film's audience to witness backstage parties, drug use (Mick Jagger is seen snorting cocaine backstage), roadie antics, fey artists and the Stones with their defenses down.
"Cocksucker Blues" was the title of a song Mick Jagger wrote to be the Stones' final single for Decca Records, as per their contract. Its context and language was chosen specifically to anger Decca executives. The track was refused by Decca and only released later on a West German compilation in 1983, although the compilation was discontinued and re-released without the song.
The film itself is under a court order which forbids it from being shown unless the director is physically present. This ruling stems from the conflict that arose when the band, which had commissioned the film, decided that its content was inappropriate and didn't want it shown. The director felt otherwise and thus the ruling. However, bootleg copies of the film are available. It has somewhat of a popular aura surrounding it around fellow rockers, such as Marilyn Manson, who mentioned viewing it and seeing his living room in it (parts of it were filmed at the Mary Astor House, on Appian Way in Laurel Canyon where Manson has resided since late 1997).
Well, I'm a lonesome schoolboy and I just came into town Yeah, I'm a lonesome schoolboy and I just came into town Well, I heard so much about London I decided to check it out
Well, I wait in Leicester Square with a come-hither look in my eye Yeah, I'm leaning on Nelsons Column but all I do is talk to the lime
Oh where can I get my cock sucked? Where can I get my ass f ** ked? I may have no money, but I know where to put it every time
Well, I asked a young policeman if he'd only lock me up for the night Well, I've had pigs in the farmyard, some of them, some of them, they're alright Well, he f**ked me with his truncheon and his helmet was way too tight
Oh where can I get my cock sucked? Where can I get my ass f ** ked? I ain't got no money, but I know where to put it every time
I'm a lonesome schoolboy ....
Δευτέρα 8 Δεκεμβρίου 2008
THE GRASSROOTS -1967 Let's Live for Today
The Grass Roots was originated by the writer/producer team of P.F. Sloan and Steve Barri as a pseudonym under which they would release a body of Byrds/Beau Brummels-style folk-rock. Sloan and Barri were contracted songwriters for Trousdale Music, the publishing arm of Dunhill Records, which wanted to cash in on the folk-rock boom of 1965.
RAY DAVIES - 2006 Other People's Lives -
OTHER PEOPLE'S LIVES 2006.
Tracks:
Ray's voice was the beloved one of our late friend Nick (gone but not forgotten) ex-Axis 33 Greek band ,to whom's memory i am posting this album.
Link :OTPELI
Σάββατο 6 Δεκεμβρίου 2008
RAGING SLAB -1993 Dynamite Monster Boogie Concert
These guys must have BLACK BELT on Boogie!!
GREG STRZEMPKA